By Peter Hadreas
Utilizing phenomenology to discover the implicit common sense in own love, sexual love, and hatred, Peter Hadreas offers new insights into the distinctiveness of the cherished and gives clean factors for many of the worst outbreaks of violence and hatred nowa days. themes mentioned comprise the price and subjectivity of private love, nudity and the temporality of sexual love, the relationship among own, sexual love, and the incest taboo, the improvement of group-focused hatred from person centred hatred, and prejudicial discrimination. The paintings encompasses research of philosophers and writers from precedent days via to the current day and examines such episodes because the Oklahoma urban Federal development bombing and the Columbine highschool bloodbath.
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Extra resources for A Phenomenology of Love and Hate (Ashgate New Critical Thinking in Philosophy)
40. 42 Thurber, James, quoted in Life magazine, 14 March 1960. 3:110–70. 44 Iago’s machinations succeed in blinding Othello to the ‘person’ of Desdemona as here understood. But even in the act of murder, Othello does not lose altogether Desdemona’s uniqueness. 11), which is of course irreplaceable: ‘I know not where is that Promethean heat/ That can thy light relume’ and so on. 12–13). 3:167–9. 46 Anton Chekhov, ‘The Lady with the Pet Dog’, from The Portable Chekhov (New York, 1977), pp. 417–18.
We love the ‘truth’ of the person, in the sense of truth indicated before. That truth is irreducible to the speciﬁc objective attributes of the individual, because the truth is based on the conjunction of the pre-objective strivings and struggles of the beloved. But those struggles and strivings are also coupled with our own empathizing with them. Consequently the joy of personal love operates apart from the joys arising from the fulﬁllment of objective interests. Scheler had rightly observed: ‘...
Curling up in bed, Ryabovich tries to gather the ﬂashing recollections that come into his mind, the hurried footsteps, the rustle of skirts and the sound of a kiss so as to ‘combine them into a whole’. 21 In phenomenological terms, Ryabovich never constitutes an ‘intentional object’ as the focus of his desires. 22 It is this manner of human interaction that introduces personal love. If love is to be extended to another person, as a person, and not merely someone who satisﬁes our interests or merely someone whose manners or looks please us, we must be willing to enter into a relation with the other person that will allow us to understand the other person, on their terms.