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Extra info for 100 Decorating Ideas: Big Style for Small Rooms - Better Homes and Gardens Special Interest Publication
Based on style, the excavators attributed these wall paintings to the Assyrian king, Esarhaddon. As reconstructed (ﬁg. 6), the outer registers of the patterned frieze show a mirror image arrangement of a stylized lotus and bud garland. Three rows of repeated rosettes ﬁll each of the second and fourth registers. Within the middle third register, a large rectangular panel, a square with incurved sides alternates with a circle decorated with two concentric circles ﬁlled with petals, and a target center.
The two shades of red/brown and blue in Cavro’s original works were possibly due to the availability of the color pigments in Beirut (information courtesy of Elizabeth Fontan). Cavro’s copies of the Til Barsip wall paintings were exhibited in 1930 in Paris, but afterwards were mislaid; they were found again in 1961. In Parrot’s book, many of the wall paintings are reproduced in color. For a complete list of these illustrations, see pp. 336–337. 33 Chapter Three. Til Barsip color negatives and black and white photographs of the paintings were made for the museum archives.
12 13 See the brief comments of Albenda 1994, n. 16. First published in color in Reade 1983, ﬁg. 23. It is of interest to observe that a purplish 19 Chapter Two. 14 In many chambers the walls were decorated with paintings rendered on carefully prepared mud-plaster. The best surviving paintings were discovered in room 9 (royal bathroom) where the burnt-brick pavement was stamped with the name of Adad-nirari III. 40 m above ﬂoor level. 15 On the east wall, within the framing lines of the painting, the center panel consists of a design of bulls, heads turned back, on either side of a circle.